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The resort, a fusion of traditional Lanna and contemporary Thai, designed to merge harmoniously with our riverside surroundings
Warm smiles and friendly faces you are likely to meet at The Legend.
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Transfer by bus or private limousine
Located in single or two-storey contemporary Lanna-style buildings of two, four or six units
Located in single-storey buildings of two units designed in contemporary Lanna style
Located in single-storey buildings of two units constructed in contemporary Lanna style
A beautiful accommodation choice, ideal for honeymooners, wedding anniversaries or other ‘special’ holidays
Our biggest accommodation. Spacious, luxury 2-bedroom pool villa for your family. With uninterrupted riverviews and its own pool
The legacy of this region is shared and perpetuated by the local people
Our treatments use ancient remedies handed down through successive generations
The Riverside Terrace, Ou Kao Classic Thai Restaurant, and Suan Chainam BBQ Restaurant and Beer Garden
An infinity pool of over 200 square metres with integrated bubble bed
Located on the river front, this attractive venue is suitable for various important events and special occasions
The Gateway to the Golden Triangle. Chiang Rai the capital of Thailand's northern most province
Doi Tung Temple, Mae Faluang Garden, the Royal Palace, Doi Mae Salong and boat trip along the Kok river
Yao, Long Neck Karen, Lahu and Akha villages; Mae Sai, Golden Triangle, Chiang Saen, etc.
- Special Packages
Angkrit Ajcharyasophon initially trained as a painter before completing a MA in Media Arts at Chiang Mai University. A polymorphous artist who works with a variety of media and modes, usually in combination, Angkrit is rapidly emerging as one of Thailand’s brightest art stars.
Angkrit’s art is partly rooted in northern Thailand’s tradition of relational and/or participatory art, and the longer traditions of performance art, assemblage, and DADA.
At issue are concerns with broadening the boundaries of what art is and what art can be, as well as generating dialogue with people who might not ordinarily encounter art. Examples of Angkrit’s art include quirky forms of portraiture, installations of found objects and images, an “Angkrit Fan Club” formed on Valentine’s Day in 1998, a dwelling that addressed an intersection between art, agriculture, and Buddhism for The Land Foundation, in 2002, and the performance and installation “Perfect English Gentleman” in 2006, which poked colonial models of conduct.
His titles can sometimes be disarming. In 1998, Angkrit conducted a critique of consumerism under the title “Shit in the Pizza Box and Pee in the Pepsi Bottle.”
Angkrit’s work is testament to the importance of art as a means of raising questions and providing insights about the society we live in; this is all the more effective because of the artist’s great sense of provocative humor.