- Take A Tour
The resort, a fusion of traditional Lanna and contemporary Thai, designed to merge harmoniously with our riverside surroundings
Warm smiles and friendly faces you are likely to meet at The Legend.
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Transfer by bus or private limousine
Located in single or two-storey contemporary Lanna-style buildings of two, four or six units
Located in single-storey buildings of two units designed in contemporary Lanna style
Located in single-storey buildings of two units constructed in contemporary Lanna style
A beautiful accommodation choice, ideal for honeymooners, wedding anniversaries or other ‘special’ holidays
Our biggest accommodation. Spacious, luxury 2-bedroom pool villa for your family. With uninterrupted riverviews and its own pool
The legacy of this region is shared and perpetuated by the local people
Our treatments use ancient remedies handed down through successive generations
The Riverside Terrace, Ou Kao Classic Thai Restaurant, and Suan Chainam BBQ Restaurant and Beer Garden
An infinity pool of over 200 square metres with integrated bubble bed
Located on the river front, this attractive venue is suitable for various important events and special occasions
The Gateway to the Golden Triangle. Chiang Rai the capital of Thailand's northern most province
Doi Tung Temple, Mae Faluang Garden, the Royal Palace, Doi Mae Salong and boat trip along the Kok river
Yao, Long Neck Karen, Lahu and Akha villages; Mae Sai, Golden Triangle, Chiang Saen, etc.
- Special Packages
Chalermchai Kositpipat emerged in the late 1970s alongside Tawan Duchanee as one of the leaders of neo-traditional, Thai art. Neo-traditional art may be understood in terms of the use of allegory and figuration as these modes may pertain to Thai art, but in a manner that re-invents the form of historical representation.
Chalermchai has continued to explore his approach to a re-invention of traditional form with outstanding architecture in Chiang Rai city. At the heart of his work as an artist and designer is an understanding that Thai culture and Theravadan Buddhism require ever-new forms to communicate traditional meanings to ever-new audiences.>
As the critic and curator Apinan Poshyananda pointed out in his book Modern Art in Thailand: Nineteenth and Twentieth Centuries, “Surface decoration, bright colors, and finicky detail are particularly characteristic of Chalermchai’s later works…”
Chalermchai draws our attention to details in order for us to appreciate the minutiae of the lessons that Thai Buddhism has to teach us. His work in painting and architecture draws crowds, and we are required to ecither the symbols and insights his art demands. Like all great artists, beauty is the key to our engagement.